"Let there be songs to fill the air," insists the singer on "Ripple," one of the duo's most indelible numbers. "Wake Up Little Susie" followed quickly, and went to the top of the chart, as did "All I Have to Do Is Dream," and their varied work included songs that worked with strings, like Buddy Holly's "Raining in My Heart," or with banjo, like "Rocky Top," made into a bluegrass standard by the Osborne Brothers in 1967. The Kinks' primary songwriter helped invent punk rock with "You Really Got Me" and "All Day and All of the Night." And alone among his peers Dylan's creativity was ceaseless 2000's Love and Theft returned him to a snarling sound that rivaled his electric youth, marking a renaissance that continues unabated. "She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer. I'm told I have a lot of feelings." .like partnerships because they can identify with the drama of two people in partnership. embodies the best of both worlds," says Rick Nowells, who co-wrote with Madonna on 1998's Ray of Light. "I carried 'Redemption Song' to every meeting I had with a politician, prime minister or president," Bono said. "The creative process is imagination, memories, nightmares and dismantling certain aspects of this world and putting them back together in the dark," said Waits. 43 Stephen Sondheim (1930-2021) Stephen Sondheim was an American composer, song writer and director specialising in musical theatre. With Leiber writing the lyrics and Stoller handling the music, they wrote Top 10 pop hits for Elvis Presley ("Jailhouse Rock"), the Coasters ("Yakety Yak"), Wilbert Harrison ("Kansas City"), the Drifters ("On Broadway") and Dion ("Ruby Baby"). Overdubbing his flawless voice, he was his own angelic choir on songs like "1941" and the Beatles medley "You Can't Do That," and he caught the ear of Beatles publicist Derek Taylor, who bought a box of Nilsson records to send to friends. Not just little eight-bar loop ideas. "He was always building up layers, making breakdowns, creating this searing funk with amazing dynamic changes.". CCR were the catchy, hard-driving dance band amidst the psychedelic San Francisco ballroom scene of the late Sixties, scoring 12 Top 40 hits during their run while releasing an incredible five albums between 1968 and 1970. Edmonds has said, "I don't just come in with songs. The 47 Best Blues Songs Of All Time. "My talent is more than just sexual songs," said the only man who wrote for the Notorious B.I.G. I love Fats Domino just as much as I like Hank Williams and Lefty Frizzell. Robinson was an elegant, delicate singer and poetic writer whose songs brought new levels of nuance to the Top 40. Berns, who suffered from chronic health problems since childhood, died of a heart attack in 1967 at 38. It's hard to imagine anyone but Whitney Houston giving shape to "Exhale (Shoop Shoop)," anyone but Mary J. Blige taking a stand with "Not Gon' Cry," anyone but Toni Braxton lending the necessary sultry edge to the many songs he's written for her over the past quarter-century. Marley wrote kind invocations of spiritual and herbal uplift ("Lively Up Yourself," "Stir It Up"), smooth, sensual love songs ("Waiting in Vain," "Is This Love") and searing statements of Rasta enlightenment and Pan-African unity ("Exodus," "Zimbabwe"). "I can write something that, even someone who hates me the most will have to respect and love the song," he has said. But that multiplatinum triumph was just the tip of the iceberg: Australian brothers Barry, Robin and Maurice Gibb were massively successful songwriters for decades. ("It's like you're getting beamed it," Yorke has said, "like with a ouija board"). I'm glad someone said Dio. The way he could mix the deep grooves of church music and blues with lighter pop melodies electrified his music, but there was nothing light about his greatest work, "Do Right Woman, Do Right Man." He was communing with the music. After his exposure to Hendrix, Vanilla Fudge and copious amounts of psychedelics, Clinton's pop-wise sense of puns and wordplay helped drive home his interstellar philosophizing. "The songs were somewhat channeled works," he said when he performed Astral Weeks live in 2008. But her restless brilliance couldn't be confined to one moment or movement. From the days of 78 RPM vinyl . "I felt like a cellophane rapper on a pack of cigarettes.". They married and started composing songs in the Brill Building in 1962, and split up in 1965. Following a series of early rock masterpieces like 1978's searing This Year's Model and 1980's soul-informed tour de force Get Happy!, Costello delivered an album of pure country with 1981's Almost Blue and then hit another highpoint with the Tin Pan Alley subtlety of 1982's Imperial Bedroom. urkel 15. ", Chuck Berry wrote about teenage America. "My songs, they're all about the American identity and your own identity," he once explained. Songs like the 1970 soft-rock classic "Heart of Gold," his only Number One single, have led to an image of the tireless 69-year-old legend as a lonely troubadour, but Young insists that's deceptive. When he convened Sly and the Family Stone in the late Sixties, he deployed a fast-talking radio jock's ear for aphorism ("different strokes for different folks," "I want to take you higher") and an ability to make tricky arrangements seem natural ("Thank You Falettinme Be Mice Elf Agin" builds raw funk out of everyone in the band playing radically different parts). "Willie sort of creeps up on you," Keith Richards once said. Singer/pianist Antoine "Fats" Domino and producer/bandleader Dave Bartholomew started working together in 1949. The 100 Greatest Songwriters of All Time SEE THE FULL LIST Your browser does not support the video tag. But songs like her greatest statement, "Like a Prayer," can also summon an anthemic power to rival Springsteen or U2. 'To me, country, as opposed to Tin Pan Alley, was white man's soul music," he once said. Mann also had a recording career, including a 1961 Top 10 hit about songwriting "Who Put the Bomp (In the Bomp, Bomp, Bomp)"; in 2015, Weil published a YA novel, I'm Glad I Did, about songwriting in the Sixties. As he told American Songwriter in 2010, "Sometimes the songs got to coming too fast for me to write, and sometimes they still do." "I've tried to sound ironic. ", There's a reason Diamond's songs have been covered by everyone from the Monkees and Smash Mouth to Sinatra. After a failed attempt to make it in Nashville as a country artist, Holly returned to his native Lubbock, Texas, where he and his band the Crickets drove to producer Norman Petty's studio in Clovis, New Mexico, to cut a version of "That'll Day Be the Day" (a song Decca Records had rejected), that became a Number One single. Cliff Richard (41%, 223,887 Votes). Ulvaeus's lyrics grew progressively darker over the course of Abba's career, even as the band became so unbelievably popular that they were able to release an 18-song greatest hits album simply called Number Ones. '", Jackson's innate musical genius could be heard on the earliest Jackson 5 chart-toppers. ", Neil Young's epic career has veered wildly from folk-rock to country to hard rock to synth-driven New Wave pop to rockabilly to bar-band blues. She remains undiminished as a writer, as she proved on her 2011 gem In Your Dreams. "We write about each other, we have continually written about each other, and we'll probably keep writing about each other until we're dead," she told Rolling Stone last year. As the leader of Pretenders, Hynde linked the start-and-go rhythms and abrasive guitars of post-punk to a heartland rocker's sense of straightforward melody. "So you think this guy was this drunk, punkish dude and all the sudden he's really sensitive and really vulnerable. More than 250 artists, writers, and industry figures helped us choose a . 50 Happy the Man, 'Happy the Man' (1977) Formed in a James Madison University dorm room, Washington, D.C.-based Happy the Man recorded three venerated, mostly instrumental prog albums in the late. His haunting bass voice, nylon-stringed guitar patterns, and Greek-chorus backing vocals delivered incantatory verses about love and hate, sex and spirituality, war and peace, ecstasy and depression, and other eternal dualities. . With the completion of his aborted late-Sixties opus Smile in 2004, Wilson reemerged to reclaim his title as a pop eminence who was once again capable of writing with incredible depth and beauty. ", "Hag, you're the guy people think I am," said Johnny Cash to Merle Haggard, whose life and lyrics intertwined magnificently. He's written some of rock's most finely observed songs not just about his journey through life (from the prematurely wise "These Days," penned when he was 16 years old, through more recent songs like "The Night Inside Me"), but has also ventured into social critiques ("Lawyers in Love") and political protest ("Lives in the Balance"). In 1966 alone, Holland-Dozier-Holland wrote and produced 13 Top 10 R&B singles, from the Supremes' "You Keep Me Hangin' On" to the Four Tops' "I'll Be There." Over the next 14 years, they collaborated on more than 50 charted singles mostly written by one or both of them and became the architects of the New Orleans rock & roll sound: two-and-a-half-minute jewels featuring effervescent piano boogie, in-your-face rhythms and lyrics that drew on local vernacular. In 1995, Cohen appeared to reject the worldliness reflected in songs like "The Future" and "Democracy" by putting his career on hold and becoming an ordained Buddhist monk. Reed was also a sound scientist who, with the Velvet Underground and after, advanced what was possible with simple chords and electric guitars. As far away from pop convention as Whitfield and Strong's music could be several of the artists they worked with grew frustrated with their freakiness their sound found its audience: the Temptations' "Ball of Confusion," the Undisputed Truth's "Smiling Faces Sometimes" and Edwin Starr's vehement protest diatribe "War" were all huge hits. 100 Greatest Singers of All Time: Aretha, Elvis, Lennon, Dylan - Rolling Stone MUSIC 100 Greatest Singers of All Time (2008) Our 2008 list of the best vocalists ever, as voted on by a panel. We made it. Gamble wrote most of their lyrics, and keyboardist Huff most of their music, but their roles were flexible, and so was their style: they wrote poignant love songs ("Me and Mrs. Jones"), rubbery political funk ("For the Love of Money"), and richly orchestrated dance music with the rhythms that became disco tropes (like the Soul Train theme "TSOP"). A collegiate creative writing student who played covers in bar bands and briefly held a job writing pop song knockoffs in the Brill Building era, Reed drew inspiration both from literature (Sacher-Masoch's Venus in Furs, William Burroughs' Naked Lunch) and his own life for example, the fellow Warhol collaborators that informed quintessential Reed character studies like "Candy Says" and "Walk on the Wild Side." But the music was pure delight: melodies that let vocalists' power and move gracefully through them, neatly cross-stitched into an array of instrumental hooks and forceful dance rhythms. I write these little songs and go and sing them. Who is the queen of dark pop? That, Michael said, was the only way he could write: "If I sat down at a piano, if I sat here and played some chords. After becoming disillusioned with commercial pop following the success of his 1967 hit "Brown Eyed Girl," he went into a brief period of down-and-out seclusion, emerging the following year with his greatest statement, Astral Weeks, singing "poetry and mythical musings channeled from my imagination" over meditative backing that wove folk, jazz, blues and soul. By chronicling every aspect of his life drug addiction, recovery, marriages and divorces, deaths of friends and family members he created the mold for confessional balladeers from Cat Stevens to Elliott Smith. I go into something minute, then look at it, then go back into it. Dr. John told Rolling Stone that, after Lennon and McCartney, Domino and Bartholomew were "probably the greatest team of songwriters ever. Goffin and King were pop's most prolific songwriting partnership and, even more impressively, they kept their winning streaks going even after their marriage split up. But no songwriter has explored sex so ingeniously from the frisky flirtations of "Little Red Corvette" and "U Got the Look" to more ambitious therapy sessions like "When Doves Cry" and "If I Was Your Girlfriend." The first time most people heard David Bowie, he was playing an astronaut named Major Tom, floating through space, completely cut off from civilization. "I'm in awe of McCartney," Bob Dylan told Rolling Stone in 2007. News & gossip column: Scottish Premiership 2023/24 fixture release LIVE! Their songs were hits for other artists, too: Richard Carpenter of the Carpenters, who went to Number One with "Close to You," called Bacharach "one of the most gifted composers who ever drew a breath. Bartholomew also wrote scores of hits for other New Orleans artists, many of which became rock standards: "I Hear You Knocking," "One Night," "I'm Walkin'." She began with songs that only by her later standards seemed simple: "Clouds," "Both Sides Now," "Big Yellow Taxi." Leonard Cohen was a dark Canadian eminence among the pantheon of singer-songwriters to emerge in the Sixties. The annual parade celebrates the birthday of the reigning monarch every June (though the king's . ", Burt Bacharach studied classical composition with French composer Darius Milhaud and was part of avant-garde icon John Cage's circle. "And trying to hold onto what's worthwhile, what makes it a place that's special, because I still believe that it is. The more you listen, the clearer it becomes that Marr isn't exaggerating. - Quora. Though Bob Dylan's famous quote calling Smokey "the greatest living poet" might actually be apocryphal, everyone believed it for decades because the songs backed it up perfectly. "I try to make the songs as good as I can the way I like it, you know?" "They were searchers Hank Williams, Frank Sinatra, James Brown. Working together, the duo have pursued their expansive vision from the adolescent cry of "Out of Control" to political anthems like "Sunday Bloody Sunday" to the stadium-shaking roar of "Where the Streets Have No Name" to the funky, danceable "Mysterious Ways" and "Discotheque" all the way through the highly-personable "The Miracle (of Joey Ramone)" from last year's Songs of Innocence. And he came into his own with the sterling disco pop of 1979's Off the Wall and the monumental Thriller, where he got sole writing credit on "Billie Jean," "Beat It" and "Wanna Be Startin' Something." From his early, frisky Brill Building pop ("I'm a Believer") to the later-life love songs about his latest wife, few singers brood and contemplate life in song the way Diamond has.
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who is the king of music of all time
